Designer – Critic – Editor – Commentator
Client: Academy of Fine Arts and Design Bratislava
Location: Bratislava
Time: December 2014

Department of Visual Communication at AFAD approached me with conceptual, curatorial and design solution for its 15th anniversary exhibition. My goal was to introduce the department as a critical platform and community of graphic designers who see the permanent reshaping of the profession and want to critically reflect to it, reflect the social issues and their own design.

I split the exhibition into several parts in which students either directly participated in the selection and reflection of projects from former and current teachers/students of the department, or I exhibited works with a critical potencial that were created at the department in the current period. I exhibited also my own instalations as a member/students in cooperation with MediaLab at our department. One of them named "286 views" was an interactive presentation of answers from several former and current teachers with Leap Motion technology. Second one named "Give comments and critic!" was designed to activate visitors to participate. They could use specially designed touch keyboard and comment the exhibition or exhibited works.

Because the concept of the exhibition was a critical approach, I decided to use research and its content also for promotion purposes (posters, brochure, baners, invitation) - statements of members of the department used for installation "286 views". I visualised them with fonts created at the department during these 15 years of its existence.

I tried to make also the interior unconventional - in one part of exhibition the critical textual reflections of students were installed on the walls instead of design works. These were hanging from the ramp of the lighting system. On the floor there were installed posters with the statements cut from self-adhesive foil.
Exhibition tried to point out the importance of the critical approach - to show the other potential of the space and media and using of content also for its visual promotion.

Here you can read the text about this project.

Fest Anča – International Animation Festival
Client: FEST ANČA
Location: Žilina
Time: July 2014
The concept of visual identity of festival was inspired by frames of animation – on prints is animation separated into frames, TV spot and banners are connecting these frames into animation.
www.festanca.sk

Visegrad Film Festival
Client: Visegrad Film Festival, Slovak Embassy in Dublin
Location: Cork, Ireland
Time: July 2015
Visual campaign of festival of films from Visegrad countries presented in Ireland (Cork). Visual concept is based on info graphics comparing facts about Visegrad (Hungary, Slovakia, Czech rep., Poland).

BINNOB
Client: Bratislava Innovation Board
Location: Bratislava
Time: November 2015
Logo andCorporate Identity for Bratislava Innovation Board, that is connecting and linking two sectors – business and educational instituions. BINNOB is helping business environment in solving the bad offer-demand situation in Slovakia.
Design manual in PDF.

Filmtopia
Client: Filmtopia
Location: Bratislava
Time: August 2012
Visual identity of a film distribution company in Slovakia. The concept is based on four variations of logo. Its usage depends on the position in the layout. Slogan is “space for film”. Red color is used for visual communication of distribution of foreign films, blue color for distribution of Slovak films. 
Design manual in PDF

Pro Monumenta
Client: Monuments Board of the Slovak Republic
Location: Slovakia
Time: 2014-15
Visual identity of a state project of the Monuments Board of the Slovak Republic focused on the technical diagnostics and monitoring of the immovable national cultural monuments.
Design manual in PDF.

Shalom Chaverim
Client: Union of Jewish Religions in Slovak Republic
Location: Bratislava
Time: July 2014
Branding of Shalom Chaverim festival stand on Pohoda festival 2014 promoting Jewish culture.

Museum of Contemporary Art Vojvodina
Client: Museum of Contemporary Art Vojvodina
Location: Novi Sad, Vojvodina, Serbia
Time: September, 2008
Project includes logo design, design manual and stationary design for Museum of Contemporary Art Vojvodina.The idea of the logo comes from the shape of the architecture and five pavilions creating the architecture complex.
Design manual in PDF.

Small Big World
Client: Gallery Tranzit.sk
Time: June 2016
Location: Bratislava
Visual identity and infographics for the exhibition Small Big World exhibited in the gallery Tranzit SK in Bratislava. Infographics were designed to visually transform data collected after social research as a part of the project and exhibition. This research was aimed to map the local art scene and communities in Bratislava.
The Small/Big World project aimed to offer the Bratislava art scene a communication and collaboration platform where people could creatively use the benefits of existing relationships, such as friendships, and open them up towards new ties and horizons. Part of the general project consisted of an exhibition and events at tranzit.sk, while other artist projects took place in other venues throughout the city. Font used in the visual identity: Expander by David Chmela.
http://smallbigworld.net/

First 10 years of AFAD
Client: Academy od Fine Arts and Design Bratislava
Location: Bratislava
Time: October 2014
Design for the documentary exhibition of first ten years (50s) of Academy of Fine Art and Design in Bratislava. Design consists of poster, email invitation and design of the exhibition space (titles of works and entrance info).

Media Practice Collection
Client: Napon – Institute for Flexible Cultures and Technologies, Museum of Contemporary Art Vojvodina
Location: Novi Sad, Vojvodina, Serbia
Time: November-December 2010
Visual identity of exhibition and conference “Media practice collection of MOCAV” organised by Museum of Contemporary Art Vojvodina and kuda.org_new media center from Novi Sad.

Play Cultures
Client: Napon – Institute for Flexible Cultures and Technologies, Museum of Contemporary Art Vojvodina
Location: Novi Sad, Serbia
Time: September, 2007
Exhibition design for exhibition and conference Play Cultures – the world of digital games that traveled around cities Novi Sad, Belgrade and Bratislava. Project contains catalog, invitations, promotion outdoor banner, image and program poster, flyers, exhibition setup and architecture of exhibition.

Cinemacity
Client: Cinemacity
Location: Novi Sad, Vojvodina, Serbia
Time: June, 2009
Visual identity of film festival in Novi Sad, Serbia. Each film selection was represented by paper cubes, that was used in leaflets, presents and all materials.  
Visual concept was created in collaboration with Vladan Joler and Filip Bojovic.


 

This is Switzerland
Client: Embassy of Switzerland in Slovakia
Location: Bratislava
Time: January 2016
Four rollups presenting Embassy of Switzerland in Slovakia. The concept is using data and simple infographics. They show the hierarchy of information – first is corporate, second shows basic characteristics, third brings addiotional info about life and fourth presents curiosities. Several number of rollups can be used, depending on type of event and space.

Small Big World
Client: Gallery Tranzit.sk
Time: June 2016
Infographics designed for the exhibition Small Big World, exhibited in the gallery Tranzit SK in Bratislava.
Infographics were designed to visually transform data collected after social research as a part of the project and exhibition. This research was aimed to map the local art scene and communities in Bratislava.

Visegrad Film Festival
Client: Visegrad Film Festival, Slovak Embassy in Dublin
Location: Cork, Ireland
Time: July 2015
Data visualisations created for the campaign of festival of films from Visegrad countries presented in Ireland (Cork). These info-graphics are simply omparing facts about Visegrad countries (Hungary, Slovakia, Czech rep., Poland).

Multiplace
Client: Multiplace festival
Location: Bratislava, Slovakia
Time: April, 2007
Multiplace was a festival of network culture. Therefore I decided to use data visualisation as a visual language of the promotional materials. It visualises all places and countries that were part of this festival. In collaboration with Slovak designer Branislav Matis.

Visible Unvisible
Client: OPEN DESIGN STUDIO
Location: Bratislava
Time: November 2010-12
Data visualization created during the project Visible data - financing culture. It was first presented during exhibition Visible data in Novi Sad, Serbia. It is published in one of the newspapers of the project and can be edited online at www.visibledata.info.
The projects' goal was to focus on the lack of financing of culture in Slovakia and other partners countries (Serbia, Netherlands, Hungary, Poland, Czech republic)
I am also one of the authors of this project.
Newspaper Visible data 01
Newspaper Visible data 02
Newspaper Visible data 0


IllustraVis
Client: University of Bergen, Norway
Location: Bergen, Norway
Time: June, 2009
Poster for conference and seminar about the power of illustration in infographics and data visualisation.

Film seminar 4 Elements: Power of Media
Client: 4 ŽIVLY (4 Elements)
Location: Bratislava
Time: February 2014
Visual identity of film festival in Banská Štiavnica with the topic “Power of Media”. The motive of hypnotic spiral on poster and leaflets was animated in AR with Layar App. After scanning them the spiral started to spinn and linked to the trailer of movie “Videodrome” from of Cronenberg.

Film seminar 4 Elements: Power
Client: 4 ŽIVLY (4 Elements)
Location: Banská Štiavnica
Time: August 2014
Visual identity of film festival in Banská Štiavnica with the topic “Power”. The motive of hypnotic spiral on poster and leaflets was animated in AR with Layar App – after scanning them the manipulative spiral started to spinn and linked to the trailer of one of the presented movies.

Film seminar 4 Elements: Senses
Client: 4 ŽIVLY (4 Elements)
Location: Banská Štiavnica, Slovakia
Time: August 2015
Graphic design of film festival in Banská Štiavnica with the topic “Senses”. Visuals in 3D are visible with help of special 3D paper glasses. In collaboration with Ové Pictures (Veronika Obertová & Michaela Čopíková).

Film seminar 4 Elements: Nonsense
Client: 4 ŽIVLY (4 Elements)
Location: Banská Štiavnica, Slovakia
Time: February 2015
Graphic design of film festival in Banská Štiavnica with the topic “Nonsense”. In collaboration with Ové Pictures (Veronika Obertová & Michaela Čopíková).

Stretnutie tých, čo prežili šoa
Client: Post Bellum, Ohel David
Location: Bratislava
Time: November 2019
Publication is about stories of people that survived holocaust and are members of the Ohel David senior house in Bratislava.

Textile Design of 20-21st Century
Client: Slovart
Location: Bratislava
Time: December 2013
Publication is about the textile art and design of the 20th-21st century published by the Academy of Fine Art and Design in Bratislava and Slovart with hard binding and front cover printed on textile structured paper.

Emöke Vargová
Client: Emöke Vargová
Location: Bratislava
Time: November 2012
Catalog of art works of Slovak contemporary visual artist Emöke Vargová. The cover is made of two parts - a classic 300g paper soft cover and milky transparent paper.

Slobodni i suvereni
Client: Institute for Flexible Cultures and Technologies - NAPON
Location: Serbia
Time: May 2013
Reader designed after the exhibition of artists from Kosovo “Odstupanje”. The name of this reader is Free and Independent.

Anomalija
Client: Museum of Contemporary Art Vojvodina
Location: Novi Sad, Vojvodina, Serbia
Time: November, 2006
Anomalija is a magazine published by Museum of Contemporary Art Vojvodina in Novi Sad with art theory content. Interesting is the navigation with use of black stripes on edges of english pages, which makes search between serbian and english text pages much more easy.

Slovak Music in Vojvodina
Client: Comity of Slovak Minority in Serbia
Location: Novi Sad
Time: March, 2007
Book for a festival of slovak music in Vojvodina.

Commited to Change
Client: Gallery tranzit.sk
Location: Bratislava
Time: April 2014
Visual identity for exhibition for Tranzit Gallery curated by Daniel Grúň. Campaign consists of posters and booklet – folded A3 poster with small black and white text booklet bound inside.

Ideology of Design
Client: New Media Center - Kuda.org
Location: Novi Sad, Vojvodina, Serbia
Time: November, 2009
Catalog of exhibition ID:Ideology of design that took place at Museum of Contemporary Art Vojvodina in Novi Sad. The book was designed in 2 days together with Marko Brkić during design performance called “Deadline” in temporary created design studio in the exhibition space. The structure of the book is following the structure of the exhibition setup.

Rituals
Client: V.M.21 Artecontemporanea
Location: Rome, Italy
Time: June, 2008
Promotion material for exhibition of two Slovak contemporary artists in Rome. The leaflet can be used as a poster and can be folded as a brochure, too.

Bratislava Design Week Magazine
Client: Bratislava Design Week
Location: Bratislava
Time: September 2013
Design of a magazine for festival Bratislava Design Week. Magazine was edited and designed by graphic designers during 6 days of the festival, pages and cover was opened, on the last day everyone could fold it and put in together. Every day of festival was designed with different font made by young slovak typographers.

Magazine BDW Day 01
Magazine BDW Day 02
Magazine BDW Day 03
Magazine BDW Day 04
Magazine BDW Day 05
Magazine BDW Day 06

Designum
Client: Slovak Design Centre
Location: Bratislava
Time: 2008-2013
Design of a magazine with a focus on the graphic and product design from Central Europe published by Slovak Design Center.

3/4 Revue
Client: Attract Art
Location: Bratislava, Slovakia
Time: 2010
This Issue of 3/4 revue was dedicated to the topic “mimo” which can be translated as “periphery, being out, not normal, unusual, crazy”. 3/4 Revue is a magazine about alternative life style, network culture, new media art and music.

Slovak Glass
Client: Gallery NOVA
Location: Bratislava, Slovakia
Time: 2007
A book about slovak contemporary glass design published by Gallery NOVA.

Ecology of Human
Client: Ecology of Human
Location: Bratislava
Time: October 2012
Visual concept for series of catalogues of young non-professional artists exhibitions in Neurologic centre in Bratislava. Cover is a printed envelope and inner pages without bonding as separate cards.

Beyonde The Rapture
Client: Academy of Fine Arts and Design Bratislava
Location: Bratislava
Time: 2012-13
Posters for a series of presentations and lectures at Academy of Fine Arts and Design in Bratislava.

Made in Bratislava
Client: Slovak Design Center
Location: Vienna
Time: April 2012
Posters and legends for exhibition of Slovak fashion designers Petra Poorova and Marcel Holubec W. in Slovak Institute in Vienna organized by Slovak Design Center.

English School Book
Location: Slovakia
Time: January 2013
Proposal for one master and one practical exercises master page of English School Book for English classes.

Family portraits
self initiated project
Time: 2019-20
Illustrations for friends and family members.

Parallel worlds
Client: 3/4 Revue Magazine
Location: Bratislava, Slovakia
Time: 2008
Three illustrations for magazine 3/4revue – issue with a topic “parallel worlds”.

Trencin Bus Transport System
Client: The city of Trencin
Location: Trencin, Slovakia
Time: October, 2008
Navigation and information system for public bus transport in city of Trenčin in Slovakia. This concept is based on intuitive perception and navigation with help of colors - taken from the official logo of Trencin. This system divides the city into tree zones represented with these three colors – red, yellow and green. The timetable and bus stops are showing the position and direction of lines - numbers of lines are places on a colour of the depo station.

www.plackartnyj.sk
Client: Plackartnyj
Time: November 2015
Plackartnyj is animation studio based in Bratislava, Slovakia. It is artistic platform for stories not only from East Block. The name comes from the sleeping wagon which is travelling in countries of former Soviet Union. First the members of studio needed to design their web stie that would present their very visual portfolio. But I decided and offered them to design their logo, too. It was simply because they didnt have a professional logo and that was not a good start for me. So I proposed them that I will lcreate for them a new logo as a bonus :) Visuality of logo and web site is not visually strong, it is very simple and therefore nto visualy competingwith their visual style. And that was my goal - to present their visuality not mine, to present them not me, to create a simple web, that is clear and functional.

www.smallbigworld.net
Client: Gallery Tranzit.sk
Time: June 2016
This website is a part of the project Small Big World and a part of its visual identity I've created.
The project aims to offer the Bratislava art scene a communication and collaboration platform where people can creatively use the benefits of existing relationships, such as friendships, and open them up towards new ties and horizons, therefor it looks a bit "uncorporate" and offers also commenting of posted projects.

www.promonumenta.sk
Client: Monuments Board of the Slovak Republic
Location: Slovakia
Time: 2014-15
Visual identity of a state project of the Monuments Board of the Slovak Republic focused on the technical diagnostics and monitoring of the immovable national cultural monuments.

www.visibledata.sk
Client: OPEN DESIGN STUDIO
Location: Bratislava
Time: November 2010
Visual identity of project Visible data_financing culture. Identity contains logo design, stickers, newspaper and exhibition design. Designed in collaboration with Martin Mistrik and Marko Brkic. www.opendesignstudio.net

www.projektfasady.sk
Client: City District Municipality of Ružinov, OPEN DESIGN STUDIO
Location: Bratislava
Time: November 2012
Web site and visual concept of fasades inBratislava city district Ružinov. Web was designed with Hana Hudáková, Juraj Pecho and Veronika Melicherová, logo designed by Juraj Pecho. Concept and web content was created together with SUA Architecture (Brano Škopek, Martin Uhrík and Alena Bindzárová).

In construction:
www.sonmedia.sk

Really old stuff:
www.opendesignstudio.sk
www.napon.org

Inform Slovakia Conferences
Client: Inform Slovakia
Location: Bratislava
Time: 2013
Logos, visual identity and visual communication of conferences under the brand INFORM Slovakia. Visual identity is used in different medias, adds, internet banners, roll ups and brochures. Each conference is identified with a certain basic color.

MSP-NE Serbia
Client: Municipality Support Program North-East Serbia
Location: Belgrade, Serbia
Time: 2008-2010

Airport Shuttle Bus
Client: Airport Bratislava
Location: Bratislava
Time: september 2010
Visual identity of new official shuttle bus service of Bratislava Airport. Identity contains logo design, communication on vehicle – shuttle bus, indoor banners, posters and web banner. Shape and color mode of the logo comes from the typography of logo of Bratislava Airport.